The masterpiece of Steven Spielberg (one of many), Shark (Jaws, 1975), looks resplendent on the cover of no. 35 of Scifiworld , who spends much of his attention to the famous American filmmaker, as well as other issues related to the fantastic, and also includes a preview of Metro 2033, science fiction novel written by Dmitry Glukhovsky Timun published by Mas. It also contains an article of mine, with the title strange love, hidden horrors speaks of three films of the genre almost unknown in Spain: Death Line (1972), Gary Sherman, Dead of Night (1974) by Bob Clark, and Miracle Mile (1988), Steve De Jarnatt, which I talked about in this blog ( http://elcineseguntfv.blogspot.com/2010/07/miracle-mile-amor-en-el-dia-del-fin-del.html ) .
"" Death Line " [released in the U.S. as Raw Meat ] offers, with a rawness in my opinion far superior to the overpriced and very mediocre" The Hills Have Eyes "(The Hills Have Eyes, 1977, Wes Craven), a sinister vision and deformed, monstrous, household, also framed against a backdrop of squalor, cannibalism precedes putrefaction and also the famous "The Texas Chainsaw Massacre" (The Texas Chainsaw Massacre, 1974, Tobe Hooper), whose effectiveness lies in the sharp contrast between the partner states cannibalistic monsters that live under the London underground, and the world of humans, say, "normal", of which film offers a little worn repertoire. " 
" probably" Dead of Night " [also known as DeathDream ] the most powerful metaphor for the disintegration of the traditional concept of middle America as a result of the Vietnam War offered by American films of the seventies, with even higher (Though it is, of course, less "prestigious") that the contribution of Elia Kazan claustrophobic about it, "Visitors" (The Visitors, 1972), which keeps some contact points . " 
" can be" Miracle Mile "also the process of" awakening to the reality "of two dreamers who feel uncomfortable at the time that they have to live and fall in love in the worst possible time: the perfect love of Harry and Julie ends up being the last gasp of an idealistic world over killing himself. " 
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