" Made from" Die Finanzen des Grobherzogs "(1924), also released on DVD by currency with the title" Grand Duke's Finances "- and his version of" Tartuffe "(1925) by Molière," The last "(1924) assumed at the time a radical experiment by Friedrich Wilhelm Murnau, as is well known who set out to make a film that dispensed with the inclusion of characteristic signs of silent movies, to get a film to use as only means of expression images. "
" As the friend explains Christian Aguilera in the booklet accompanying this DVD edition of "The World, the Flesh and the Devil" (subtitled, almost imperceptibly, like "The last surviving": This film was never released in theaters in Spain), we are faced with a the largest and most curious rarities bequeathed by American science fiction films of the fifties, a period full of exciting surprises, little by little, is pleased to see our knowledge about it thanks to, in this sense, valuable work about L'Atelier 13. "
Needless to add that my comment Source is, in fact, an abbreviated version of what was posted on 19 September, where Nolan commented this film with his debut Following (idem, 1998), in an article entitled Both Cobb: about "Following" and " Origin ", whose link was: http://elcineseguntfv.blogspot.com/2010/09/los-dos-cobb-proposito-de-following-y.html
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Last :
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The World, the Flesh and the Devil :
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