Saturday, January 29, 2011

The Order Of The Black Death Symptoms

THE LIAO (Character toxic 1)


Did you know? Go out there, very concerned about the immediacy, the urgency, the here and now. Rush is his trademark, typical of modern society, a compulsive behavior, running, running, at every instant, towards a goal that seems to never achieve.
And I ask the "liao" - how do you organize your time, your job? - But the "liao" in a hurry, can not stop answering, has not even realize what I want to answer. - I have no time for anything - I answer, I'm the ass - insists -.
live immersed in the culture of the image, where apparently puts to be, give the image of efficiency is very profitable, especially for a professional CORK, always floating by many storms that occur.
Professional "cork" is the obverse of the coin: on one side is the "Liao", and the other the "floating." In the story, and the staging of walking busy and immersed in big projects and plan to resolve issues important to the company, does not stick to water, and floats and floats in the sea of \u200b\u200bher wealthy chicha working life.
When you walk "liao", from my point of view, is poorly organized: in the personal and professional. We have many courses in effective time management, phrases that we hear anecdotal and with some humor: "Time is money, do not waste it or lose it, you have to invest." Actually, where we should invest it in our quality of working life, to improve and optimize our performance and with it of our company. Since we have spoken
cork, not a bad idea, practice a few days fishing on the banks of one of our magnificent beaches. Staring, but with a relaxed attitude, as the cork floats, sit for a few seconds that state of concentration, which both need to do anything effectively. Walking
"busy" is not profitable for anyone, professional endangers their physical and psychological quality of working life lost, while decreasing much their job performance at the expense of the productivity of the company where he works. Fortunately, there are tools of business management and organizational performance improvement and innovative ways to help these professionals to Desli emotionally, concentrating on important professional strategy, leaving aside many issues of very urgent, it will ensure success in implementing the strategic plan of the organization.
few years ago, I saw some pictures at "Canal Sur", which caught my attention. A group of executives of a large German company, ran after some sheep, trying to run them and put them in a sheepfold. The beautiful and distinctive landscape of the Alpujaras, was the setting for this game so fun. We think - what a waste of time!
Those who have well understood the concept of "transforming action", we know the great benefits it brings to business and technology professionals "Desli Hank."




Monday, January 24, 2011

Wedding Program Lutheran

"IMAGES OF TODAY" FEBRUARY 2011, AND FOR SALE


The successful new Coen Brothers film, that is, the new version of Grit (True Grit, 2010), is the main issue Cover of no. 310, News pictures. This month, to mark the opening, between February and March, a pair of satanic-themed films such as The trap of evil (Devil, 2010, John Erick Dowdle) and Rite (The Rite, 2011 Mikael Hafstrom)-and who knows, maybe his distributor is encouraged Brand finally The last exorcism (The Last Exorcism, 2010, Daniel Stamm), announced several months and that is not even dead ... - because of all this, as I say, I have dedicated this Cult Movie number to the famous movie of Alan Parker Angel Heart (Angel Heart, 1988): " not only one of Parker's films that best stands the test of time, to the point that it perhaps his best work along with "Mississippi Burning" (with which it shares many things), but is also the film that shows that, in a sense, Parker was at the time it is now also British Ridley Scott, the English director who works in the United States, with production also means "Hollywood", but while providing a "touch" "british" a certain "qualité". The difference in "Angel Heart" with Parker's other films of the era is that, despite the perennial and sometimes a little sugary aestheticism of its maker, and its habitual tendency toward sensationalism (especially evident in some another "scare" stupid, intended to remind the viewer that, although at first glance looks like a film "noir" retro, what is really seeing is a horror movie ...), the truth is that most of its elements work well . "



Full
my contribution to this issue of Current pictures with a couple of criticisms: One of the very discreet film by Florian Henckel von Donnersmarck The Tourist (idem, 2010), which confirms what I already suspected when it premiered earlier and much celebrated film of the same director, The Lives of Others (Das Leben der Anderen, 2006): simply that there was no big deal, and another, slightly more extensive, Road to Freedom (The Way Back, 2010), the extraordinary always superb film Peter Weir, to my mind and now one of the best filmmakers of world cinema, though not used to exit at the ready lists "on the Best-and-the-worst-of- year, from-the-millennium or century (and not missing much ...), for which later devote an entry in this blog.

Wednesday, January 19, 2011

Brazilian Wax In Progress

"HEIFER" by Luis García Berlanga, IN FILM ARCHIVE


The portal Film Archive this month completed its dossier in two deliveries in honor of Luis García Berlanga, and announced, effective February 17, a special dedicated The best films of the first decade of XXI century , subject, of course, already advanced in this blog last year in my post of April 23, 2010 The best and worst of the decade (2000-2009) ... in my very limited point of view ( http://elcineseguntfv.blogspot.com/2010/04/lo-mejor-y-lo-peor-de-la-decada-2000.html ), and which will come back to here, since these days will soon be published here and there for the vote on the movies of 2010 and the period 2001-2010 in which I participated. But now back to Berlanga and which, in my opinion, was his last movie interesting The heifer (1985), which is my contribution to the second special part of the Film Archive on its maker: "Few films there, I insist, for the time which became" The heifer "which will face the English civil war as it has dealt with, without going any further, American filmmaking as a genre of war, understood in its strictest sense of "theater of combat," (...) no more than take a cursory glance at the present state of each day to realize that, basically, the old conflict of the "two Spains" still beating as ominously as the Tell-Tale Heart by Edgar Allan Poe: a call to the bad conscience, hatred and resentment. Consequently, I still think will be a long, long time before that in Spain is made that hypothetical "short film" about the civil war, whose existence would require that the entire peninsula will turn around like a sock, very difficult thing in the current context of old feuds latent and manifested in the form of court rulings and political tolerance and / or prudish to look with suspicion and lack of respect the different identities that make up our skin worn bull. "

Film File:
http://www.cinearchivo.com/site/index.asp

Special-Tribute Luis G. Berlanga (1973-1999):
http://www.cinearchivo.com/site/recomendados.asp

miseries of civil war: The heifer :

Tuesday, January 18, 2011

Can You Freeze Natural Yogert For Smoothies

"Scifiworld" PRESENTS "SFW PREVIEWS" MAGAZINE DIGITAL AND MONTHLY FREE


And we with friends Scifiworld magazine, which just launched These days Previews SFW, a new digital magazine monthly and completely free, which includes articles on the main fantasy-themed feature films and the like, in line with the version of the paper publication, and with the number of January 2011 and can be downloaded in pdf at the link below, within which to find, from next day 1 the February issue:

http://www.scifiworld.es/at/previews

SFW Previews joins other Scifiworld initiatives in the field of art related technological information fantasy and horror films in English, such as Digital SFW (first film magazine in Castilian to iPad, iPhone and iPod touch) SFW News (the app for Apple devices with all the latest fantasy film) and the version of the mobile portal Scifiworld.es :


Digital iPad SFW. iPhone and iPod touch:


SFW News for iPhone and iPod touch:

Sunday, January 16, 2011

How Do Play Farmville On Blackberry Storm

"Scifiworld" JANUARY 2011, AND FOR SALE


Cthulhu, the mythical king underworld imagined by HP Lovecraft and maximum star prohibited Shadow (Jose Luis German, 2010), the second part of Valdemar Inheritance (2009), is the cover story of no. 34 of Scifiworld . Although this month I have not worked in it strictly for reasons of work schedule (I will next month: I have my paper written and delivered), the magazine offers, as always, an enthusiastic tour of the fantastic past and today, hence the articles on Terence Fisher films like Nosferatu, Vampire of the night , Werner Herzog, and The Boys from Brazil , J. Franklin Schaffner, is codeen with reports on the slasher or Dead Space and Science Fiction - Festival della fantascienza di Trieste, all making it the most appealing.

Friday, January 14, 2011

Birth Control Causing Aging





English citizens consider the political class is the third issue that most concerns him, behind unemployment and the economy.

The perception of citizens regarding the political activity is related to political performance, which may be below acceptable levels. Performance "working hours" in Spain, we know that is not the European average.

municipal elections are approaching, and the party must deal with a good electoral program, and selecting the best to compile a list of people who compete, and win the votes of citizens.

Any organization, any size, dedicated to the activity, can improve organizational performance and this improvement will improve the professional performance management teams. There are several tools or methods that can be used to achieve the goal of increasing personal and organizational performance.

A methodology is giving very good results for its adaptability to each individual case and issue all types of organizations, is coaching. On the topic at hand, namely how to improve policy performance, who develops a political task, we must mention a tool that is getting very good results on "POLITICAL COACHING.

political Coaching aims to improve the performance of those engaged in political activity in its various responsibilities: charge organic party institutional consultant, etc.

For you know a little more the profitability of this excellent methodology, born in the United States, and that applies in Europe in recent years, with very good results, should know that coaching works if it is applied is a professional attitudes of a coach: empathy, genuineness, honesty, commitment, creativity, vision, etc. Discuss

coaching is about communication, leadership styles, transformational change, culture of commitment. Those engaged in politics, and those who aspire to achieve should learn "THE OFFICE TO SERVE" where EMPATHY and solidarity are the main axes of any political action. Getting into the shoes of others to understand their situation and problems with a caring and committed attitude, trying to help and provide solutions to the problem of the citizen.

The third issue of the English people, fortunately, has a solution, all a matter of wanting to improve political performance, thus enhancing social performance of citizenship.





Tuesday, January 11, 2011

Words Of Condolescence

10TH ANNIVERSARY FILM ARCHIVE


The portal Film Archive, the database more complete film in English and in which I have been working since its inception, meets these days ten years old. Coinciding with this anniversary, its founder and director, Christian Aguilera, has seen fit to publish in his blog The World of Haldane a panegyric on me, offering a portrait whose generosity overwhelms me. So much so that at first I expressed my Booking your suggestions to link the eulogy at my blog, for fear of looking like a championship vain. But in the end, it was Christian himself who convinced me that neither is there any harm in it, citing as Katharine Hepburn: " When success comes to you, take advantage, do not know when will the next or even if they return to be "... to which I add the words of another friend of mine, Hernán Migoya, who long ago, on the occasion of the presentation of his controversial book of short stories All whores (in a ceremony held in the Fnac Plaza Catalunya and was presented by Mercedes Abad, which by displayed a great sense of humor praised precisely the story of Hernan very soon after "wounding" many false feminist sensibilities, The rapist ...), said at Question Time, something like: "It is impossible no one speaks worse of me than myself ... . " Words also subscribe.

Film File:
http://www.cinearchivo.com/site/index.asp

Link to Haldane's World:

Saturday, January 8, 2011

Tech Deck Game Free.com

POLITICAL PERFORMANCE BALLS NOT WILLING



should be scoring goals, winning games to be competitive the market imposes. The margin is small, much as the goal of a football field or enters the ball and win, or cast out, and lose.

The first question to ask is what do we play? We play basketball, handball, football ... We know that the important thing is to win and we must develop a strategy, action plan, designed to fit us a few goals, and rated us in our corporate box.
always be a referee who blame our poor performance, our loss of profitability. The party started in our daily work activity, with an attitude committed to the results ends with a positive result. Although we live difficult times, the commitment to ourselves, improve our professional performance, optimize, inevitably, the marker of our company.

Who is the responsibility of the ball from the back of the net? When we talk about responsibility, it is when more balls cast out, no one is responsible when the ball passes to another partner, whether in the professional category that is, the question is quickly passing up (usually), but also downwards. How quiet it feels when passing the ball!

The fans (customers) demand quality, not content with winning the game, you want to have fun You pay to enjoy a competitive game that is transparent and beneficial to the community.

good thing about football teams, is held accountable when the results are negative. Everyone gets nervous, worry, but know that the coach is the biggest blow from a ball (off the field) usually receive.

course, responsible for creating an integrated team, with a motivation toward achievable goals, and committed to results, is the coach.

Those teams (working) being composed of many "talented", which charge according to their responsibilities and do not perform well should be honest with themselves and with others, and propose a clear voice and high CHANGES.

hear the word change and begin to see balls flying everywhere: up, down, in the locker room at the cafe ... We specialize in taking "BALLS OUT" when the real change is in our inner attitude regarding the meaning of work, our job responsibilities and our commitment to our teammates, to the shirt that we represent and the fans.

Tuesday, January 4, 2011

Trying To Conceive And Cervical Ectropion

BARCELONA, CITY OF LIFE AND DEATH: "Biutiful"

Not long ago a friend of this blog asked me about a derogatory comment I made in my post of Dec. 1 regarding the Mexican director Alejandro González Iñárritu, who at that time did not hesitate to call " horrible (in my unique perspective, of course, and as always, without trying to necessarily share my opinion.) I apologize for the frankness of that view, but the fact is that so far held three films, Amores perros (idem, 2000), 21 grams (21 Grams, 2003) and Babel (ditto, 2006 ), not only had I favorably impressed, but at times managed to bore me profoundly, so much so that I did not even see all of Amores perros, whose projection left approximately around ninety minutes and had to make a great effort to complete the footage from the other two. I know too well the reputation of the director, for which only agree, more or less in a couple of points, otherwise so obvious that few people would hardly be able to say the opposite: first, that the Iñárritu's film is distinguished, at least so far, for their sordid and desperate vision of human existence, his love of the environment poor and impoverished, and their tendency to put on stories covered, in whole or in part, by tragic air, and, secondly, his skill as a director of actors, so many performers who have worked with him have been some of their best and most intense performances, such is the case, for example, Naomi Watts and Benicio Del Toro in 21 Grams , or even Brad Pitt, which is saying-in Babel. But contrary to popular reports to the contrary, his staging seems ugly, gimmicky, redundant in most cases merely a formal display of a handheld camera and frames taken, "apparently" random (which, apparently, not: Inarritu is known to many and varied takes of each scene), work completion and surface rough-coated, yes, an appearance of complexity, narrative density and hardness psychological, which stemmed largely from the scripts (in my opinion, questionable) by Guillermo Arriaga. Following this, the temporal leaps that made the development of 21 grams, or parallel stories that nourished the entrails of Amores Perros and Babel , were but mere narrative tricks designed to add "complication" , not complexity, some frames, explained following the conventional development approach-knot-end or a linear assembly sequence-to-string, would have little or no interest. This was for me the film by Alejandro González Iñárritu Biutiful ... until (idem, 2010).

Surprisingly, Biutiful is, or rather, I found nothing, though at a glance share many traits most characteristic film of its director, beginning with a taste for the pessimistic view of human beings and the degree of involvement they get to impress upon the players. Strictly speaking of concepts, Biutiful "is" something else, at least with respect to Amores perros, 21 grams and Babel. Draws attention, first, the absence in the credits of screenwriter Guillermo Arriaga after the highly publicized at the time Iñárritu professional break, causing the script is written by him, from his own idea, in collaboration with Armando Bo and Nicolas Giacobone. This means that, at least compared with his previous three films, has disappeared into Biutiful building almost completely narrative based on the time shift and the parallel development of several frames, even though (I stress "almost" ) survive some of those leaps in time and retain a certain tone coral. The main difference from previous proposals of the author is, first, that the way to build the story here has a meaning, and most importantly, an expressive force to my mind away from those early and so held jobs. The start of the film, summed up in two sequences, illustrates what I mean: in the first sequence of this principle, we see the protagonist, Uxbal (Javier Bardem), talking to a young man (Nasser Saleh) in the middle of a snowy forest; later, as the usual talk-including SPOILERS - about who is that guy and what sense is that conversation in the forest, the second sequence consists of a first fixed plane and illuminated in the gloom of the hands of Uxbal and a girl, we will soon know that this is his daughter Ana (Hanaa Bouchaib) - while off hear in his speech, which revolves around Uxbal ring on her finger and looks just giving to the small, also, as we shall see, not until much later that we understand the full extent of the relevance of this plane.

Moreover, despite the film takes place almost exclusively from the point of view Uxbal character, the evolution of the latter serves to bind simultaneously to the description of the characters who swarm around him, again creating a sense of choral portrait, or if you prefer, group portrait, not only in regard to his daughter Anne and her other younger son, Matthew (William Estrella), with which Uxbal lives in Barcelona's Raval district, but also Marambra (Maricel Álvarez), his ex-wife and mother of small, Titus (Eduard Fernandez), his brother Ekweme (Cheikh Ndiaye) an illegal immigrant of Senegalese nationality who lives badly as mantero "in the company of his wife and his son, which happens Uxbal merchandise to sell on the streets, good which in turn provides Hai (Cheng Tai Shen), the head of a clandestine business of making bags for woman who works in a dingy basement full of illegal workers also native to China, and maintaining a homosexual relationship with his young partner Liwei (Luo Jin), "Lily" (Lang Lin Sofia), China's young mother who cares for the children of Uxbal while away from home doing their tricks ; Zanca (Ruben Ochandiano), the squadron mosso d' corrupt, for the money that gives Uxbal "by the Chinese," turns a blind eye to the "manteros" Senegalese ... Is surprising how On this occasion, which will hopefully be repeated in future studies of its director, Iñárritu offers us characters who are not mere instruments of a narrative framework designed to dazzle fans of puzzles, but human beings drawn with precision and interest of their experiences without need, again, crimping with them a puzzle : the degraded landscape of the suburbs of Barcelona who appears in Biutiful "and has been the subject of some criticism derogatory lacking, in my opinion, unfounded, and then see-is populated by living figures and not mere chess pieces. Put another way: Uxbal captures the attention of the story because the character chosen by Iñárritu and his co-writers as the narrative engine of the same, but all others have their own entity and may have been, at any given time, the protagonists of this fiction within which had been occupied Uxbal hypothetically a secondary role. Hence, apart from the role of the former, on which also return shortly along with the other loose ends that have been unleashed since they are intimately related to Uxbal (the two sequences of the principle and the look on Barcelona), the other characters of Biutiful greatly enrich the story: the picture of mental disorder Marambra; how Tito is used each time it stops in his apartment and throws, the paradoxical situation, the edge of illegality, Ekweme and his fellow Africans, forced to sell goods on the black market to survive and under the perpetual threat of arrest and deportation, and how they try to exploit loopholes in this system also to survive (the son of Ekweme, just over one year, English-born, and therefore can not be deported: the ius sanguinis the smaller the single point of attachment to Spain with their starving parents), the terrible description of the daily routine of sweatshop Hai, also, that wonderful point about the discomfort that is formed in the latter's house, while eating with her family when her lover comes to see Liwei, blaming their relationship quiet "unnatural."

I have read or heard these days the odd criticism regarding Uxbal character, whose psychological description it reproaches the fact that someone too kindly given by lumpen environments that often moves. I also know of complaints about the alleged unlikelihood that are described in the slums of Barcelona, \u200b\u200bwhich have served to bind, by Javier Bardem, who suffered critical to Woody Allen its still so, so butchered and misunderstood Vicky Cristina Barcelona (idem, 2008) (1) . Leaving aside these criticisms, everything you want respectable even though many of these arguments are based on very little worthy of respect (and usually have another name: prejudices), I believe instead that one of the best qualities of Biutiful lies in the description of the main character and the urban environment (Barcelona, \u200b\u200bin this case) in which he lives, that both character and setting, forming a whole almost inseparable, and that this unique fusion of Uxbal and Barcelona (or, least Barcelona in which he live) is a credit to the subjective component Iñárritu print the story through both script certain ideas that are particularly impacted by this subjectivity, and the work of staging, whose merit is not foreign collaboration of cinematographer Rodrigo Prieto, who prints the film a peculiar sense of light and color to give a patina impressionist images, so that the realism of the environments and situations turn contrasted with the relative "unreal" plastic those who are filmed. Unreality that is clear, as I say, the description of the character of Uxbal, present in almost all sequences of the film and treasures in a quality person also "unrealistic." It explains that one of the ways the protagonist of living is to attend funerals and wakes, to capture the last thoughts of the deceased and then transmitted to family members in exchange for money. Again, against all odds, Iñárritu seeing here an unexpected force at the time of viewing, sober and effective, the moments in which, apparently, Uxbal communicates with the souls of the dead. Is exemplary in this sense, the first time you see him do in the funeral of three children (warning: SPOILER ): Uxbal is left alone in a room with three small coffins, with a simple shot / reverse, we see how it "appears" before him one child, who is both inside and outside their own coffin. Also excellent a later time in which we see repeated Uxbal that contact with the other side (warning: SPOILER ): this time, it does at the foot of the deathbed of an old man and the scene closes with a detailed magnificent: the protagonist leaves the bedroom of the deceased, taken in a plane so that, for a couple of seconds, we see the back of a mirror image to be reflected, surreptitiously, the spirit of old dead ... This results in a couple of terrifying moments, even if they are solved with the same sobriety (warning: SPOILER ): the impressive scene in which Uxbal inspect the basement where Chinese workers have died of Ai, burdened by faulty gas appliances that the protagonist himself provided (it should be noted these close-ups of Uxbal in light shots, so that we see behind him and perched on the roof of the premises ... the souls of the dead Chinese), and this instant-attention: SPOILER - in Uxbal which senses another lost soul lurking in the ceiling of your own home ...

Other aspects of Biutiful no less interesting, in my opinion, have a direct heir Iñárritu "melodrama charro" so characteristic of Mexican cinema, and a relatively similar line to the film which is likely to remain, even today, the best Latin American filmmaker present (though at this time suffer an unfortunate forgetfulness): Arturo Ripstein. Play in this sense, attention: SPOILER - Uxbal deadly disease, the cancer that makes you piss blood, a detail that does come to mind the famous Fat City (Golden City) (Fat City, 1972) John Huston, and that causes incontinence urinary, forcing even have to wear diapers ... In fact, all Biutiful can be seen, and understood, as a mortuary melodrama, the description of the last months of life of a marginal character whose life falls apart as it approaches at the time of his death: the aforementioned, and tortuous relationship with his ex-wife Marambra, a woman with drug problems, mental breakdowns and bouts of nymphomania, the tragedy also mentioned warning: SPOILER - of Chinese killed in the basement, the time-warning: SPOILER - Zanca, the police "anointed", is quoted in a bar Uxbal to tell you remove the preferential treatment to "manteros" because he also has to think about the maintenance of his own family. Significantly, as the life of Uxbal is extinguished, will correspondingly increase their sensitivity to the afterlife: Uxbal has a conversation with Bea (Ana Wagener), a seer who advised him to have to settle their affairs before to leave this world the hero teaches her children a picture of his father, the grandfather of the children, which Uxbal never met and that Spain was still very young, never to return (warning: SPOILER important : the boy in the picture is not but man youth with whom we have seen chatting Uxbal snowy forest sequence from the beginning), later (warning: SPOILER ) Uxbal and Tito will be called to identify no less than the body of this father, who died at an early age and whose embalmed body retains virtually the same as it appears in the picture that keeps Uxbal: the scene in which the latter strokes, excited, petrified face of his father, there is also among the highlights of the film. Needless to add (warning: SPOILERS important ) that those sequences of the conversation in the snowy woods of Uxbal with, we now know, his father died young, and the protagonist with his daughter Ana in bed when he gives his ring, are the funeral of a narrative closure that before reaching this somber conclusion (at all, as has also been suggested these days, a "happy ending") is presciently preceded by vigorous notes that contrast and contrast the physical and mental deterioration of Uxbal with etched portrait of a troubled city and oozing, also, life and death: police raid against "manteros" which makes the tourist center Barcelona in a battlefield, the visceral traveling along the beach we discover (warning: SPOILER ) which has been the fate end of the lifeless bodies of Chinese workers. Of course there are imperfections in Biutiful , chief among them an excess of footage and some other expendable-sequence of the club, for example, despite the virtuoso level camera phone that came to the booth Uxbal where sitting his brother Tito and his party-which prevents us from talking about a movie being completely achieved. But at this point, is it necessary to say that Biutiful I found a wonderful film and the title by which I have reconciled with the film by Alejandro González Iñárritu?

(1) I refer to what published on November 6, 2008 in my previous blog: http://elcineseguntfv.blogspot.es/1226001420/ "vicky-cristina-barcelona":-a-woody-allen-falsely-damn / .

Sunday, January 2, 2011

How To Get Rid Of Camel Toe In A Bathing Suit

"LAST", "THE WORLD , THE FLESH AND THE DEVIL "AND" HOME "IN FILM ARCHIVE

begin the new year with the comment, the portal Film Archive, three disparate films as published in late 2010 on DVD: a masterpiece of Friedrich Wilhelm Murnau Last (Der letzte Mann 1924), the curious production of apocalyptic science fiction Ranald MacDougall The World, the Flesh and the Devil (1959), and the famous film by Christopher Nolan Source (Inception, 2010).

" Made from" Die Finanzen des Grobherzogs "(1924), also released on DVD by currency with the title" Grand Duke's Finances "- and his version of" Tartuffe "(1925) by Molière," The last "(1924) assumed at the time a radical experiment by Friedrich Wilhelm Murnau, as is well known who set out to make a film that dispensed with the inclusion of characteristic signs of silent movies, to get a film to use as only means of expression images. "

" As the friend explains Christian Aguilera in the booklet accompanying this DVD edition of "The World, the Flesh and the Devil" (subtitled, almost imperceptibly, like "The last surviving": This film was never released in theaters in Spain), we are faced with a the largest and most curious rarities bequeathed by American science fiction films of the fifties, a period full of exciting surprises, little by little, is pleased to see our knowledge about it thanks to, in this sense, valuable work about L'Atelier 13. "

Needless to add that my comment Source is, in fact, an abbreviated version of what was posted on 19 September, where Nolan commented this film with his debut Following (idem, 1998), in an article entitled Both Cobb: about "Following" and " Origin ", whose link was: http://elcineseguntfv.blogspot.com/2010/09/los-dos-cobb-proposito-de-following-y.html

Film File: http
: / / www.cinearchivo.com / site / index.asp

Last :
http://www.cinearchivo.com/site/fichaDvd.asp?idRubText=5739

The World, the Flesh and the Devil :
http://www.cinearchivo.com/site/fichaDvd.asp?idRubText=5733

Source: